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And as Hollywood’s cash flow slowed—home-video revenue fell by more than $3 billion from 2007 to 2011—development funds used to buy specs began to dry up. The object, and the soundtrack, came first: no ideas but in things. From reading any script — whether for film, television, radio or stage — you can pick up the most fundamental principles: 1. The landlady was driving a bulldozer around in circles, for no apparent reason.

Pages: 125

Publisher: New Humanity Books (June 8, 2012)

ISBN: B008A3BNF0

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