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Term coined in a book published in 1952 by French writer and critic Michel Tapi� to describe the kind of art many intellectuals and artists deemed appropriate to the turbulent mood of France immediately after World War II. It was greatly stimulated by the growing cultural rivalry of the European royal courts. This situation requires a sound and persuasive theoretical basis to guide practical and political processes and strategies, ideally to be drawn from the humanistic, especially religious traditions.

Pages: 273

Publisher: Palgrave Macmillan; 2011 edition (July 14, 2011)


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