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Leonardo Da Vinci was one who highly in this scientific experimental work in art. – By half of the Cinquecento period toward its zenith are conformed gradually the bases of the Mannerisms’ Movement. – Balance and harmony are maintained in the realization of many sculptures but there was some trepidation and dynamism in forms and expressions which the sculptures of Michelangelo Buonarroti are an example. – In painting although much of them remain balanced and harmonious with the works of Rafael compositions for example, revolutionary contributions are introduced like the esfumato technique and the aerial perspective by Leonardo da Vinci. – The first Mannerist painters incursion occur such as Raphael, Titian and Giorgione whose work’s depicts certain distance from the classical harmony of the whole as the period rich the zenith. – An anti classic answer to classicism dogmas occurred in the second half of the 16th century with the Mannerism movement, which are the preamble of the future Baroque style. – The art begins to lean at the end of the 16th century towards tension against the classical balance, spatial confinement and stress against the extensiveness of the space, contrasted against the homogenous light, intense chromatic against the smooth application of color.

Pages: 156

Publisher: National Council of Teachers of English (1987)

ISBN: B001KWORWO

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